There are many people around the world that have received a letter, demanding money because of a bittorrent download. The question that is going through their heads is ‘how did they track me’, with perhaps “how can I prevent them?” To address this, I made a video that should explain these things.
This review was originally scheduled for publication in May 2009 on TorrentFreak.com As we decided to move away from reviews for the time being, it’s being published here.
In a new feature to TorrentFreak, we’re going to look at a new book, recently published by Oxford University Press. Innovation for the 21st Century, written by Rutgers law professor Michael A. Carrier, takes a look at copyright, and patent law, and mixes it with antitrust (monopoly) law. The questions is, how does it read? Read more…
As some might know, OFCOM’s running a consultation on the aspects of the Digital Economy Act it’s supposed to enforce. Now, in theory, it’s supposed to be open until at least 5pm, but when I went to check the consultation document on another computer (so I could read both at once) I found a 404. Read more…
If you follow tech news, you have a certain list of sites you’ll keep an eye on. Personally, I always keep an eye on TorrentFreak (but then, I am their researcher, and night-time comment moderator) but there are others as well, Wired’s Threat Level, Slyck, and of course, ArsTechnica.
The problem for all tech news sites is that there’s a deadline game. You have to be first to break the story, so you can get it passed around the social media circles, facebook, slashdot etc. Often that means that stories, or more specifically the data that comprises the story, doesn’t get the attention it should, and ArsTechnica has fallen foul of this, repeating the conclusions of a study, and not noticing some glaring errors.
If you’re a teenager or older, you’ll almost certainly have first-hand experience with VCRs and video tapes. If you don’t remember them, they’re big things that have been replaced by DVR’s, but which you could buy movies on, like with DVDs. They were in most peoples homes throughout the late 80s and the 90s. Yet they were nearly wrestled out of peoples hands around thirty years ago, because of the fear of an industry. Let’s first look back at the late 70s to understand why.
In the late 70s there was a kerfuffle between Sony, and the movie studios. It concerned the BetaMax VCR Sony made (and to a lesser extent the JVC/Phillips VHS system). There were concerns that with these machines, people would undermine advertising (argument A), making the amount that could be charged for them drop, reducing funding for TV stations and networks. It would also mean that movies played on TV would have to cost more for the stations, because people will record them, and keep them, and watch them instead of, say, going to the cinema (Argument B). There were also concerns that since the recorders were mostly made outside the US, the importation of them would hurt the balance of payments (Argument C). Also, making movies is a risky business, and the government should do all it can to make it easier to be profitable (Argument D). It was nicely summed up by Jack Valenti (head of the MPAA) in his testimony in front of Congress in 1982.
There are days when you just want to curl up into a ball. Today is one of them. I realised, when going to check back over things, that rather than the document I believed I had submitted as part of the PRO IP act consultation, I had actually submitted a copy of my comments to the US trade representative. I made the same mistake on my short piece about the submission.
The US Pirate Party had an rough draft of a reply and a means to submit it, if people didn’t want to write their own response, but I don’t do that sort of thing. I prefer a much more detailed (and as always, last minute) response, to try and cover the main facts. Again, I ran out of time, and just got it sent at the deadline (which was some 20 minutes ago).
So, here is the finished response, all 5 pages of it. [PDF]